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CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner,...

An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to...

2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett

This video installation explores the representation of Black bodies in the French cultural and media landscape. Jérémie Danon and Kiddy...

Skin Shade Night Day explores the daily routine and rituals practised by the artist’s Cambodian-Australian family, which are reperformed and...

The chasm through which light bleeds , bleeds out of proportion with bright spectral flickers flaming the trees abrading out the tissues with...

The title may evoke images of gleeful, destructive anarchism, but "smashing" here signals a relationship between people and official city statues...

An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a...

"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple...

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he...

The technological and ideological traces of humans have transformed the earth from dark matter to a dark affair which despite everything brings forth...

Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three...

A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is...

In "Mitzukos Dream" you watch sleeping people, each filmed for one night with a willdlife camera that reacts to movement. So only the active parts of...

A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.

Videoinstallation with methacrylate / no sound / 2018. Underwater Images recorded in Baja California Sur (México)